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"Yang" Family 24 Movement "Orthodox" Form
T'ai Chi Ch'uan: Beijing Short 24 Form
Standard Simplified Version, 24 Movements, 1956, Yang Style
3rd Section

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Snake Creeps Down - Right
a. Turn body left 90° (east) (arms/legs stay in position); place right toes/ball of foot on ground, toes pointing 90° left (feet form "V"); simultaneously, right hand lowers, also forms "V" with left hand as fingertips almost touch, palms downward, tan tien height; weight remains left leg.

b. Shift weight to right foot; shift of weight allows body to turn and feet will be parallel. Hands push out sideways, palms away, until approximately shoulder height, then palms turn forward and slightly upward (45°) - fingertips 45°.

c. Turn body 45° to right; make hook with left hand.

d. Sink weight and step or slide left foot (parallel) (you may move quickly to left with step for wider extension); shift weight to left foot.

e. Turn body 45° to left - turn of body allows arms to naturally arc back into position (almost like drawing a circle with the movement); hook left hand positioned left shoulder height (90°); right hand in front of left shoulder - palm to left, fingertips upward.

f. Circle right hand downward and across body, to tan tien and right thigh; body turns 90° (or 135° as above); weight still on left foot.

g. As body completes 90° right turn, weight shifts to right foot: left hook drops behind left hip; right hand floats up approximately shoulder height; fingertips forward; hand curved.

h. Shift weight to right foot; open left - handed hook; raise left knee/foot, as left hand follows, until knee approximately waist height; leg bent inward at knee ( NOT cross right leg).

i. Simultaneous with "h", left arm upward, in line with left leg, knee and elbow almost touch; left palm face right 90°, fingertips upward; right hand protects genital area, palms downward - arm/hand curved. There's bend in right leg.

j. You're once again 180° (south) directional turn from beginning of form, and will remain facing in this direction (180°, 6 o'clock or South) through "Needle At Sea Bottom ".



Fair Lady Works The Shuttle
a. Step left 45°; hold the ball (left hand on top); shift weight to left foot.

b. Bring right toe to left instep; keep weight on left foot, step to right ( NOT 45°, more parallel, approx. 25-30° - toes turned slightly inward, if able); shift weight to right foot.

c. As weight is shifting, body turns 45° to right; simultaneously, "roll the ball around" - right hand becomes higher hand; palms angled away approximately 45° to right, almost like you're "placing them on a wall".

d. Weight remains on right foot, body turns forward as you hold-the-ball, right hand on top (feel rooted on right leg)

e. Bring left toes to right instep, step 25-30° to left; shift weight to left foot, body turns 45° to left and "turn the ball around" - left hand becomes higher hand, palms angled 45° left, like "placing them on a wall".

REPEAT:

through "E" again - which will be 4 repetitions of "Fair Lady" in total.

TIP:

Keep body straight and upright; don't incline shoulders or bend at waist; weight is sunk down and in, and rooted on foot when "placing hands on wall".



Needle at Sea Bottom
a. Shift weight back to right foot; as body turns forward, right hand moves in front of right thigh, palm facing left, fingertips downward (NOT touching body, arm curved); left hand in front of right shoulder, palm to right, fingertips upward.

b. Pads of left toes touch ground in front of body, in line with nose and tan tien, heel slightly off ground, knee bent.

c. Turn body right 45°; left hand down to left hip level (elbow angles outward for "block"); right hand, palm to left, upward approximately forehead height.

d. Turn body to front, fingertips of right hand point forward; keeping body relaxed, without strain, back straight, sink with weight still on right foot (only to personal comfort); allow arms to dip fluidly for increased flow; then rise up slowly; bring left fingertips to lightly touch inside of right wrist.

TIP:

Weight still firmly rooted on back right foot; left toes still in position; shoulders/elbows sunk. Feel power surge from back right foot, up through body and into hands (without force).



Fan Through Back
a. Place left heel on ground (toes slightly raised) - simultaneously, as toes raise, right fingers angle toward sky/ceiling; weight still on right foot.

b. Pivot on left heel ( DO NOT turn body, only foot) until left toes turned 90° (west) to right, place left foot flat on floor (You still have not shifted weight as yet).

c. As you shift weight to left foot, your hands still in position, but move forward with body movement. When rooted on left foot, body turns 90° (west) to right, right foot - pivot on right heel until right toes pointing same direction (90° to right, west) as left toes.

d. Simultaneous with "c", as body moves as one unit - left fingertips "slide" across back of right hand (turn of body allows this to happen naturally); right palm turns outward as hands separate ( right hand highest); eyes look at left hand.

TIP:

When your body is turned 45° to left; hands positioned as to grab opponent's overhand strike; arms are curved.



Turn and Strike Opponent with Fist
a. Shift weight to right foot; turn body to right 45°, arms follow turn of body (as if throwing opponent from "Fan Through Back" over your head).

b. Bring left palm, facing to right, fingertips upward, in front of right shoulder; continue to circle right hand to right 45°, then down and in front of body - when parallel to left hand, right hand makes loose fist and continues circle, stopping in front of left shoulder (arms crossed, but not touching, in front of body).

c. Simultaneous with arms crossing, weight shifts to left foot; feel rooted; eyes forward; body squared forward/frontward.

d. Pick-up right toes, pivot on right heel and turn body, as one unit, 90° ( you're now facing beginning direction (north) and will remain so until completion of Grand Terminus). Weight is on back left foot; left palm facing inside of right elbow.

TIP:

Your fist should move like ball-on-the-end-of-a-chain - but always under your control. DO NOT allow fist/arm to move independently of your body. Feel surge of chi/qi power up from weighted back left foot/leg, through body and expressed in loose fist.



Deflect, Parry and Punch
a. Turn body 45° to right (2 o'clock); right toes also turn 45° to right; fist 45° to right, as with turn of body.

b. Place right foot flat on ground; shift weight to right foot; as you do so, you may turn left toes more to front, about 30°, as you pivot on ball not left foot.

c. With turn of body, left palm moves outward, 45° to right, right fist settles back to right hip.

d. Bring left toes to right heel; step to left 45° (10 o'clock); shift weight to left foot, body still turned to 45° right.

e. Turn left palm upward 45°, fingertips forward; with turn of body, sweep left hand/arm down and left - deflecting downward in arc, as body turns 45° to left (10 o'clock).

f. Turn left palm downward 45°, to parry, as body turns to front (12 o'clock); right loose fist still by hip, weight still on left foot.

g. Punch with right fist passing left palm in front of body; end with left palm facing inside right elbow.

TIP:

Force of punch is NOT muscle, and DO NOT use just hand, arms or pushing out shoulders to punch; it is whole body; DON'T bend at waist; settle/sink weight in and down for proper energy with punch - also will allow hands to position correctly without moving arms independently. Your fist should NOT be past the line of your left knee.



Withdraw and Push
a. "Sneak" left hand, palm downward, under right elbow; turn both palms upward.

b. As you "sit back" on right leg, left hand passes under right arm, as if to wipe-palm-off on underside of right sleeve (this is accomplished more with body movement than independent arm movement).

c. Palms turn outward, hands curved, arms spread shoulder height/width.

d. Shift weight back to right foot; sink; allow elbow to soften; shift weight smoothly forward for "push" (NOT with arms, but body motion); end with weight on front left foot.



Cross Hands
a. Hands circle outward to sides, down and around, in front of body, coming upward, until wrists cross - left hand on top, so when you lift hands in front of body (a little lower than shoulder height) left hand will be closest to body.

b. Bring right toes to left instep; step parallel to right, approximately shoulder width, toes forward (12 o'clock). Weight however, still on left foot.

c. Turn palms to front; shift weight to right foot - bring right hand with movement of body to right, left hand remains in position, approximately in line with left leg.

d. Keep hands moving in 2nd circle, fanning out from shoulder height, sideways; when left hand in line with left leg, move left foot closer to right foot.

e. Continue hands circling down, then upward in front of body, left hand on top, so will be closest to your body when hands are raised. Shift weight, 50-50 (double-weighted) on both feet; wrists are crossed.



Conclusion of Grand Terminus
a. Gently raise elbows gently raise as left hand moves under right forearm, both palms downward.

b. Spread hands shoulder height/width; soften elbows back; back is straight and relaxed, chest sunken, knees bent.

c. Allow hands to make semi-circles out and down, as in "Commencement". Body rises. Relax for a moment.




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